A literary analysis of the waste land by t s eliot
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University of California Press, Don't ask why. It's the nature of the beast - The Waste Land is full of direct and indirect cultural influences and the reader cannot remain ignorant of such.
And, though each section does seem to have its own subject matter, collectively, they support the fundamental idea that the Western world is a devastated heap of apathetic, mindless and vain people obsessed with a momentary pleasure, usually satisfied with some kind of materialistic or sexual act, in which principled and traditional values have become dilapidated and completely unable to be liberated from this perverse wasteland mentality.
The waste land analysis line by line
For Eliot, recovering in Switzerland from a nervous breakdown, the time was ripe. As the speaker passes through this difficult place even the locals are unhappy - there is a lack of spirit. The poem is dedicated to Ezra Pound. Then the reader is back in the Unreal city see also line 60 which is modern day London. The Fire Sermon The title of Part III is the title of a sermon by the Buddha, denouncing the fires of passion, hatred, and infatuation with which the senses burn. It is important to regard the structure of this passage; there are four main suggested speakers each describing a situation in some disarray, which leaves the reader in somewhat of a state of confusion. Are we to take this mention of Bavarian aristocracy as a symbol of the decline of this class of people, given the context and the poem's main theme of loss of the old order? Eliot's study of the fertility myths of different people had convinced him that the sex - act is the source of life and vitality, when it is exercised for the sake of procreation and when it is an expression of love. Porter and her daughter were characters from a bawdy World War I song.
The lines are sung by a lovelorn sailor on Tristan's ship, thinking of his Irish beloved. It is spiritual transformation. Eliot uses reliable comparisons between life and death, to depict how the seasons change within a given year.
The story of Philomel is covered in section II, starting at line Newly arrived were experimental free verse, varying line length, fragmentation and urban mythology.
Ts eliot cliff notes
Whatever his reason for using isolation it caused him to turn towards god for answers. Eliot juxtaposes high life with low life in this section, which contrasts the fate of several women: from the anonymous woman in the 'burnished throne' of a chair to Shakespeare's Ophelia; from mythological Philomel to the London pub woman Lil short for Lilian. This story involves Tereus, king of Thrace and his wife Procne and her sister Philomela. Lines 25 - 30 The scene of desolation intensifies. He first spent 3 weeks of the summer of in the coastal town of Margate, on the English south coast, where he compiled lines sitting in the Nayland Rock beach shelter. It is as if before her, no other human existed, no other human suffered from her troubles. At the end of this section, the reader has been painted a picture of the world through the eyes of the speaker. It frequently contrasts the plight of the individual in society and in nature and contrasts the relationships between male and female. Although Lafourge, Conrad, and James were used as sources for Eliot when he composed poetry, there is still a distinct Eliotic quality whenever his work is read Bergonzi 7, 50, Cuddy 55, Mack , Martin 41, 97, Unger Oh is there, she said. Although it is fragmented, it also reveals moments of continuity and wholeness quantified with recurrent themes of time, alienation, isolation, and articulation. If he is dug up again, then his spirit will never find rest, and he will never be reborn — here, Eliot, capitalizing on the quote, changes it so that the attempt to disturb rebirth is seen as a good thing.
This University of Illinois page gathers together some of the most influential critical responses to The Waste Land, and gives a sense of the diverse range of analytical positions the poem invites. The cut 9 from religion to spiritism is very abrupt, which serves to show that the two are very similar, devices humans rely on to have hope, to keep living.
The wasteland analysis line by line pdf
Eliot presents us with two opposite situations and characters. The final line is a repeated Shantih, a formal end to a Upanishad, meaning inner peace. It is important to regard the structure of this passage; there are four main suggested speakers each describing a situation in some disarray, which leaves the reader in somewhat of a state of confusion. Memory creates a confrontation of the past with the present, a juxtaposition that points out just how badly things have decayed. What shall we do to-morrow? She had a nervous disposition and eventually ended up in a mental hospital. This might seem puzzling, to start a poem with death, but the world was still in shock from the first world war, and the mass destruction, so it must have been uppermost in Eliot's mind. His inability to give himself to, or to possess others is an example of the greater problem of isolation. The literary allusions raise all sorts of questions about The Waste Land as a work of poetry itself. The second part of the section, on the other hand, uses more of a brash and simplistic language to represent a lower class. It, no doubt, deals with the tragedy of the modern age, but it also shows that tragedy is at the heart of life, all life, in all ages. It is a human poem.
The transition to the two cockney women in the pub is both blurred and abrupt, the change happens in the dialog in the middle section of the poem. The focus of this passage goes to the card of the hanged man, as he explains: The Hanged Man, a member of the traditional pack fits my purpose in two ways: because he is associated in my mind with the Hanged God of Frazer, and because I associate him with the hooded figure in the passage of the disciples to Emmaus in Part V.
The wasteland analysis essay
Analysis of The Fire Sermon - Lines - Lines - The short lines continue, as does lack of punctuation and any sense of steady rhythm, making this from lines a sparse and odd little section. Eliot's The Wasteland Traditionally, authors begin their compositions at the beginning and then proceed to an end, creating a logical flow of information towards a conclusion. Here is Philomel again, the girl with the cut tongue raped by the monstrous Tereu, king of Thrace. To read is also to remember a better past, which could produce a coherent literary culture. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. The Wheel is fortune, destiny, change. People that are alive, but dead inside, and only the speaker can see this, they are dead like the world they live in. Reading through this iconic poem is anything but straightforward there are many references and quotations and footnotes ; some lines are in French, others in German or Italian.
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